| 000 -LEADER |
|---|
| fixed length control field |
01842nam a2200229 a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
006109 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230907104010.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
080717t20052005gw a eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
3-8228-4521-3 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
umsa |
| Language of cataloging |
spa |
| Transcribing agency |
umsa |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN 1195.9 .P5 |
| Item number |
F54 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Film posters of the 50s : |
| Remainder of title |
the essential movies of the decade / |
| Statement of responsibility, etc |
Tony Nourmand, Graham Marsh, editores. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Köln, Alemania : |
| Name of publisher, distributor, etc |
Evergreen, |
| Date of publication, distribution, etc |
c2005. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
127 p. : |
| Other physical details |
il. ; |
| Dimensions |
30 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Resumen: The cinema of the 1950s reflected the mood swings of the post-war generation. Optimistic epics and brittle social comedies rubbed shoulders with socially aware dramas and, faced with the new challenge of television, the studios conjured up a host of fresh attractions: CinemaScope, VistaVision and 3D, the curves of Marilyn Monroe and the moody mumbles of Marlon Brando and James Dean.<br/>In Hollywood, veteran actors circled the wagons against the massed assault of juvenile delinquents as the Wild West became the asphalt jungle. In Britain, upper lips remained stiff - though a smile or two was permitted at the latest Ealing comedy. Films from Italy and France, where the ‘New wave’ was starting to break, were still considered strictly high culture, if not threateningly risqué, in the Anglophone nations.<br/>The images in this book represent the full range of poster art which attracted world wide cinema audiences to the movies of the decade. Some may be familiar, others, long forgotten, will come as surprises. Most are still as fresh and powerful as the day they first appeared.<br/><br/> |
| 650 04 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Carteles de películas |
| 9 (RLIN) |
12529 |
| Form subdivision |
Obras ilustradas |
| 650 04 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Carteles de películas |
| 9 (RLIN) |
12530 |
| Form subdivision |
Catálogos |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Nourmand, Tony |
| 9 (RLIN) |
12531 |
| Relator term |
editor |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Marsh, Graham |
| 9 (RLIN) |
12532 |
| Relator term |
editor |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Libros |